| iosevka-comfy | ||
| iosevka-comfy-duo | ||
| iosevka-comfy-fixed | ||
| iosevka-comfy-wide | ||
| iosevka-comfy-wide-fixed | ||
| screenshots | ||
| LICENSE.md | ||
| private-build-plans.toml | ||
| README.md | ||
Iosevka Comfy
[ For screenshots, check the "Variants" section below, as well as "Comparison to base Iosevka". ]
Highly customised build of the Iosevka typeface, with a rounded style and open shapes, adjusted metrics, and overrides for almost all individual glyphs in both roman (upright) and italic (slanted) variants.
Details of the typeface
Iosevka Comfy is more vertically compact than the standard upstream configuration. Glyphs are rounder and have tailed ends or serifs only when those are required to both impose a predictable rhythm and keep characters distinct from each other.
The round and open shapes, tailed ends, and earless shoulders, can be discerned in those patterns:
a,o,u(e.g.anonymous);i,t,l(e.g.illicit);j,g,y(e.g.jiggly);b,d(e.g.bidirectional);n,m(e.g.numeral);p,q(e.g.equip);6,9,&.
Considerations for romans and italics
Roman and italic variants are made to look more consistent while retaining their stylistic features. Unlike the default Iosevka style, the upright glyphs do not have a mixture of straight/blocky and curved or serified characters (special exceptions notwithstanding). While the italics do not have calligraphic tendencies that greatly contrast with their counterparts. The differences within each character set and between the variants themselves are nuanced. The intent is to make everything feel part of the same aesthetic. Distinctions are drawn on the premise of contributing to the demands of the design without ever calling attention to themselves (as opposed to sporadic calligraphic glyphs amid an otherwise austere presentation).
For italics, the earless shoulders and rounded bottom in the glyphs a,
b, d, n, m, p, q, u change slightly to have a sturdier
ending which helps compensate for the added slant. Otherwise they would
feel more rounded than their roman counterparts. We do not want that
added implicit emphasis of extra roundedness because the slant is
already sufficient: to emphasise the emphasis is the kind of
exaggeration that Iosevka Comfy strives to eliminate.
The target of small point size
The overall appearance of the typeface is optimised for small point sizes. This informs the choice of certain glyphs that break the established patterns:
-
The
Dhas a top and bottom serif and a curved body to disambiguate it from the capitalO(which is more round). At small point sizes, ourTODOlooks clear whereas with a non-serifDit reads likeTOOO(theDis almost the same as anO). -
Same principle for
Iwhose serifs help one tell it apart froml. -
The
mhas a short middle leg to prevent the letter's lines from visually blending into a box-like shape (as is the case with the default Iosevka at small point sizes). It otherwise exhibits the same rounded/earless patterns.
[ Also read the section "Deviations from the regular style". ]
The target of small point sizes also informs the decision to use squared
punctuation marks and a dotted % sign (the percent looks like ./.
instead of o/o). They look more crisp.
It is important to stress that these decisions are made in light of the target range of small point sizes, which for the author is between 8 and 13. If we were to design towards another end, then we would do things differently (the open shapes would not be necessary, the aforementioned exceptions would not be required, punctuation marks could be circular, and so on).
Optimal small point sizes for the author are: 8, 10, 11, 13. While "false friends" which increase the height of characters without actually adjusting the line width and height are: 10.5, 12, 13.5. We call them "false friends" because while they appear to have an effect, they do not actually increase the size of the font consistently: they break expectations and make the overall appearance feel more vertically compact than it should be.
Those granted, Iosevka Comfy looks decent at larger point sizes. The author uses it for presentations because its open shapes make it easy to read.
[ For the :height face attribute in GNU Emacs, the value is equal to
the point size × 10. ]
Variants
Iosevka Comfy comes in five variants, all of which share the same stylistic overrides, as documented above.
-
iosevka-comfyis monospaced and supports ligatures. Apart from ligatures, it allows certain glyphs, such as arrows, to occupy more than one block. -
iosevka-comfy-motionis likeiosevka-comfybut with lots of small tweaks that add serifs and tailed ends to give a more playful impression. -
iosevka-comfy-duois quasi-proportional and supports ligatures. The naturally wide glyphs, such asm, are allowed to occupy two blocks instead of one. -
iosevka-comfy-motion-duois likeiosevka-comfy-duobut with the more playful style ofiosevka-comfy-motion. -
iosevka-comfy-fixedis likeiosevka-comfyalbeit strictly monospaced and thus does not support ligatures. All glyphs are exactly the same width. Use this if you prefer it or if your application (e.g. terminal emulator) does not recogniseiosevka-comfyas a monospaced font. -
iosevka-comfy-wideis the same asiosevka-comfyexcept it is noticeably wider. It also looks taller thaniosevka-comfyeven though both variants fit the same number of lines on a screen. -
iosevka-comfy-wide-fixedsame asiosevka-comfy-widethough it is strictly monospaced and does not support ligatures.
Demo of the variants
iosevka-comfy
iosevka-comfy-motion
iosevka-comfy-duo
iosevka-comfy-motion-duo
Comparison to base Iosevka
This is a regular Emacs session with the default font set to point size
17 (a :height face attribute of 100). In the first picture we have
upstream Iosevka and in the second is Iosevka Comfy (specifically the
iosevka-comfy variant). Notice how Iosevka Comfy is more vertically
compact (fits more lines), while you can also discern the stylic
differences between the two typefaces.
Deviations from the regular style
The variants of Iosevka Comfy are subdivided into "narrow" and "wide".
The former consists of iosevka-comfy and iosevka-comfy-fixed. The
latter includes iosevka-comfy-wide, iosevka-comfy-wide-fixed, and
the quasi-proportional iosevka-comfy-duo, iosevka-comfy-motion-duo.
Due to the relaxed spacing requirements and concomitant legibility considerations, the wide variants have stylistic deviations from their counterparts. In detail:
-
The
mcharacter has three legs of equal length, insetad of a shorter middle leg. The short middle leg in the narrow variants is necessary for legibility, especially at small point sizes (otherwise the character's legs visually blend into what appears to be a solid block). -
The
0has a forward slash that cuts diagonally through the middle of the circle, connecting the bottom left part to the top right of the oval shape. Whereas the narrow variants have a dashed forward slash which does not connect the two sides as it is positioned inside the oval shape.
[ These are without prejudice to the remaining aesthetics of
iosevka-comfy-motion, iosevka-comfy-motion-duo. ]
Install on GNU/Linux
Unless you have some exotic system, in which case you know what you are
doing, you can install fonts for your local user by copying the .ttf
files or their directories in ~/.local/share/fonts/. For system-wide
installation, place them in /usr/share/fonts/.
Depending on your system, you may need to delete the ttf or
ttf-unhinted builds. Though this is not strictly necessary, as the
system knows which one to pick.
When in doubt, install locally.
Build information
Iosevka Comfy is configured in accordance with the documentation of the
upstream project. This practically means that we define our
private-build-plans.toml, install the npm dependencies, and then
build the .ttf files with something like the following for each
variant:
npm run build -- ttf::iosevka-comfy
It seems that queueing the builds, such as with a for loop, does not
work as intended: the variants are not differentiated from the base
iosevka-comfy build.
The last update to Iosevka Comfy was done on 2022-07-21 using upstream
version v15.6.0, commit 254f75f7.
Each file is provided as-is in the hope that it may prove useful, but is otherwise intended only for my private use.





